22' 9" wide x 30' 6" long x 16' 6" high
Washington called this room—the last addition to the Mansion and the grandest space in the house—his “New Room.” With its two-story-high ceiling, detailed architectural ornament, and stylish furnishings, the New Room was intended to convey an emphasis on unostentatious beauty and fine craftsmanship, qualities he saw as communicating the new nation’s values. Washington summed up his ambitious goals for the room in a letter written while he was off fighting the Revolutionary War: “I would have the whole executed in a masterly manner.”
Opting for vivid paint and wallpaper through much of the house, Washington made choices that expressed the tastes of his era, when the use of bold colors was a sign of wealth. The stunning green of the wallpaper in this room was one of his favorites. The furnishings include various original Washington pieces as well as period pieces like those the Washingtons owned. Washington ordered the Federal-style sideboard (on the river side of the room) and several of the side chairs from Philadelphia cabinetmaker John Aitken near the end of his presidency.
Like the grand “salons” of fashionable 18th-century English country houses, this impressive room was meant to serve several functions. It was used to receive visitors, and its high ceiling, large volume, and symmetrical decoration made the space feel out of the ordinary (the room alone was larger than many houses in colonial Virginia). As well as its scale, the New Room’s large north-facing window made it an ideal picture-gallery. Washington hung 21 works of art in the room; the six large landscape paintings on display are the original canvases that Washington acquired.
Finally, the room was used occasionally for dining, likely for guests of high rank or large parties that could not be accommodated in the dining room. The New Room’s high ceilings and two exterior doors also provided much-needed cross-ventilation when the Washingtons entertained during the warm summer months.
16' 9" wide x 16' 6 long x 10' 10 3/8" high
Before the large dining room was completed, Washington considered the west parlor to be “the best place in my House." This elegant room was a public space where visitors enjoyed the Washington family's company. Tea and coffee were customarily served here during the winter and on rainy days, and the household gathered here in the evenings to read, discuss the latest political news, and play games.
The architectural elements, including the mantel, two Palladian door frames, and paneled walls, make the west parlor one of the finest surviving examples of colonial Virginia architecture.
In 1787 changes were made to update the room, including the application of fashionable and expensive Prussian blue paint. The ceiling was also replaced and decorated in the neoclassical style. Reminders of the Washingtons are evident throughout the room, from the family portraits adorning the walls to the family coat of arms above the carved mantel and the crest on the decorative cast-iron fireback.
16' 9" wide x 13' long x 10' 10 3/8" high
When George Washington returned home from the presidency, he decided to convert what had been a first-floor bedchamber into a music and family room, thus allowing more space for informal entertaining.
Music played an important role in the Mount Vernon household, as it did in other genteel Virginia homes of the period. Music masters traveled from plantation to plantation, instructing the young, and their presence often inspired lively social gatherings filled with music and dancing. Washington loved to dance, and he is reported on one occasion during the Revolutionary War to have done so for three hours.
Though by Washington's own account he could neither sing nor “raise a single note on any instrument," he helped ensure that his stepchildren and step-grandchildren were instructed in music. Early in his marriage, he ordered a spinet for Martha's daughter, Martha (Patsy) Parke Custis, and a violin and German flute for Martha's son, John (Jacky) Parke Custis.
In this room you will find a harpsichord which was purchased by Washington in 1793 for his step-granddaughter Eleanor (Nelly) Parke Custis.
13' 13" x 30' 8" long x 10' 7 ½" high
The central passage is the entryway into the Washingtons' home, the place where visitors who pulled up on the drive in front of the house were greeted. Entertaining also occurred in the central passage, particularly during hot Virginia summers when the family gathered here to enjoy breezes from the open doorways. The elegant space, which runs the width of the house, provides magnificent views of the Potomac and the Maryland shoreline to the east and of the pastoral bowling green, fields, and woods beyond to the west.
When George Washington first enlarged the house, in 1758 and 1759, he added the native black walnut staircase to the central passage. Being prudent and practical, he moved the earlier staircase to provide access to the newly constructed third floor. The pine paneling on the first floor was also installed during the initial enlargement; later, in 1797, the paneling was grained, or painted, to imitate more expensive mahogany.
15' wide x 13' long x 10' 9 ½" high
This bedchamber accommodated some of the many visitors who stopped at Mount Vernon before, and especially after, George Washington's presidency. He once described the house as a “well resorted tavern" because “scarcely any strangers who are going from north to south, or from south to north do not spend a day or two at it." According to his diaries, overnight visitors were present in his home about two-thirds of the time, arriving at a household that was already sizable. In December 1799, it included six people: the Washingtons; Mrs. Washington's youngest grandchildren, Washy and Nelly Custis; Washington's nephew Lawrence Lewis, who had married Nelly in February of that year; and the Lewises' newborn daughter, Frances.
15' wide x 17' long x 10' 9 ½" high
One of the most striking spaces in the Mansion, the small dining room is part of the original house, built in 1735. Over the years, the room underwent a series of renovations. While Washington was away with the Continental Army in 1775, it was updated under the supervision of his cousin Lund Washington. In 1785 striking verdigris-green paint was added. Washington believed the color to be “grateful to the eye" and less likely than other colors to fade; an overcoat of glaze further intensified the color.
In 1775 Washington decided to install an elaborately decorated plaster ceiling and add plaster ornaments above the fireplace. He hired an expert plasterer, identified simply as the “Stucco Man," who spent five months completing the hand-tooled ceiling. A renovation in 2001 uncovered some of his original pencil drawings on the ceiling laying out the design.
19' 6" wide x 16' 9" long x 10' 9" high
After George Washington's return to Mount Vernon in 1783 at the end of the Revolutionary War, the study became the place where he could retreat from ever-present family and visitors and tend to business. Reportedly, no one was allowed in this room without his invitation. From here, he directed the management of his estate, receiving reports from overseers, making daily diary entries, and posting his accounts.
The study was also where Washington bathed, dressed, and kept his clothes. Each morning, he rose between 4 and 5 a.m. and went to the study, using the private staircase that led down from the bedchamber. According to the recollections of his step-grandson George Washington (Washy) Parke Custis, he lit his own fire and dressed himself. Washington used the quiet time to write letters or review reports until breakfast at 7 a.m., after which he usually rode out to his farms. In the evening, unless he had a social obligation or lingered talking to visitors after dinner, he returned here to read or confer with his secretary until around 9 p.m., when he went to bed.
In this room you will find a Fan Chair, similar to Washington's, which helped him to stay cool on hot summer's days, Washington's chair that he used as President, a portrait of Lawrence Washington, bookcases, a secretary, and other artifacts from Washington's life.
4' 9" wide x 6' 6" long x 10' 9" high
Everyday Chinese porcelain dishes were stored in this small space. A few surviving pieces are on display for closer inspection in the Museum. Finer china was stored in a closet on the third floor.
Evidence of the wiring for the house bell system can still be seen across the ceilings of the panty and back hall. The bells summoned servants or slaves to the dining rooms, the piazza, and one of the bedrooms.
The two-story piazza is the Mansion's most distinctive architectural feature. Extending the full length of the back of the house, it also has a practical function—catching the river breezes on a hot and humid Virginia day. The Washingtons treated the piazza as an outdoor room, serving afternoon tea here to visitors and family members seated in simple Windsor chairs.
From the piazza, visitors see the thickly wooded area that was a 18 acre deer park, a common feature on large estates of that time. Washington stocked his with tame deer from nearby and from England for the delight of family and visitors. The trees between the Mansion and the river were carefully pruned to emphasize the view of the Potomac, creating a so-called hanging wood.
17' wide x 14' long x 8' 2" high
This room originally was part of a larger room, the "White Room", that is noted on Lawrence Washington's 1753 probate inventory. George Washington's 1757-59 enlargement of the house gained enough space on the second floor to create two rooms out of the White Room- this room and the Lafayette Bedchamber.
Washington utilized this room as a storage or lumber room, and its woodwork was originally painted with the gray paint frequently found in such utilitarian spaces during the 18th century. As a storage space, the room was unheated; the current fireplace was added during the construction of the New Room in 1776. After that point the room became a bed chamber and was painted with the blue color seen today.
17' wide x 17' 6" long x 8' 1" high
This room is often referred to as the Lafayette bedchamber because it is believed that the marquis stayed here while visiting the Washingtons. Lafayette was a young French nobleman who volunteered his services in America's fight for freedom. Like his beloved Washington, he served without pay as a general in the Continental Army, and the two maintained a strong bond.
There is always a period likeness of Lafayette on display within this room. In a 1784 letter to the marquis, George Washington wrote, “It is unnecessary, I persuade myself to repeat to you my Dear Marqs. the sincerity of my regards and friendship, nor have I words which could express my affection for you, were I to attempt it."
7' 9" wide x 12' 9" long x 7' 11" high
Prior to Washington's raising the Mansion to a full two stories in the late 1750s, these two rooms formed a single space. In Lawrence's 1753 probate inventory this single room was called the room at the "Head of Stairs." Despite being split into the two later rooms, the volume of the room at the head of the stairs was originally substantially smaller because the lower roof of Lawrence's house made this room an attic room with a knee wall and sloping ceiling. Despite the smaller size, in 1753, the room housed two bedsteads, although it is not known if they were assembled or merely stored here.
The Hall bedchamber created by the 1757-59 work was described as "a Closet with the Window," while the garret stair occupied a space "6 feet by 12 off from the old Store room."
14' wide x 15' 6" long x 7' 9" high
This room was used by Martha Washington's granddaughter Nelly Custis, who lived at Mount Vernon from early childhood. The room dates to the 1758–59 enlargement of the house, and much of the plaster and woodwork are original. As with other rooms in the Mansion, a more fashionable paint color was added to the walls in the 1780s, and there is evidence that the room once had blue wallpaper.
Nelly married General Washington's nephew Lawrence Lewis at Mount Vernon on February 22, 1799—the president's last birthday. The couple lived at Mount Vernon until construction of their home, Woodlawn Plantation, three miles away, was completed. Their first child, Frances, was born in this room only days before Washington's death in December 1799. Nelly remained confined to her bed and was unable to attend her step-grandfather's funeral.
16' 6" wide x 15' 4" long x 7' 9 ¼" high
The yellow bedchamber occupies the southeast corner of George Washington's 1759 house and is slightly larger than the first floor bedchamber that is below it. Before the remolding of the 1750s, this space formed two room, one an unheated room tucked under the east slope of the roof, and one heated room called the "Yellow Room." With the creation of the full second story, the new Yellow Bedchamber received a corner fireplace and a window in the east wall; there may also have been a window in the south wall, or a door leading to the roof of the one-story south closet. The current mantel was installed in 1775 when the south addition to the house was added.
19' wide x 15' long x 7' 9" high
Located directly above the study in the private south wing was George and Martha Washington's spacious bedroom. Designed according to Mrs. Washington's suggestion that it be simple and functional, the room was also her sanctuary, where she planned her schedule and wrote letters to friends and family members. According to her grandson, she also spent an hour each day reading the Bible and praying.
Washington died of a severe throat infection in this room on December 14, 1799. Upon his death, Martha closed the room and, for the remaining several years of her life, spent much of her time in a bedchamber on the third floor.
Purchased in the early 1790s, the bed was described by Mrs. Washington as “the new bedstead which I caused to be made in Philadelphia." Its design is in keeping with the Washingtons' preference for elegant simplicity. At just over six feet, six inches long, it was large enough to accommodate George Washington, who stood about six feet, two inches tall.
In this room you will also find a mantel clock from Washington's presidency and a fine French writing desk crafted of mahogany with a marble top and brass fittings.
18' wide x 10' 5" long x 7' 4" high
The three garret bed chambers were created by the remodeling work of the late 1750s. The rooms all changed slightly after the north and south extensions were completed in the 1770s. In their initial configuration none of these rooms had a fireplace, being heated solely by radiant heat from the chimneys of when fires burned in the rooms below A small fireplace was added to the northeast chamber in 1776. In 1797, Washington drew a plan indicating that he intended to install a stove in the southeast chamber, but this stove was instead added to its neighbor to the west, which Mrs. Washington occupied after her husband's death in 1799.
North Lumber Room: 15'-5" wide x 20'-6" x 7'-6" at highest point
South Lumber Room: 14'-9" wide x 23'-0" x 7'-4" at highest point
These two storerooms are located in the north and south additions made to the house in the mid 1770s. Tradition held that Martha Washington occupied the south lumber room after George's death, however, the 1799 inventory indicates that Mrs. Washington's room was heated by a stove, and architectural investigations clearly show that this room never had a stove. The only room to have had one is the room now identified as her bedchamber.
6' 10" wide x 5' 6" long x 4' 9" high
The current size and shape of the china closet was created by the addition of the 35'-10.5" wide pediment in 1778, but paint analysis of the paint on the inside face of the door trim indicates that there was a room in this location dating to the raising of the roof at the end of the 1750s. The most prominent feature of this room is the large oval or bull's eye which is the focal point of the west pediment. Perhaps of more interest on some level is the original shelving in this space- a rare survival. The shelving confirms this space to be a storage space, almost certainly the "China Closet upstairs" mentioned in the 1799 inventory.
8' 1" high
Washington added this architectural feature, generally found on public buildings, to the Mansion in part to help cool the house, as it draws hot air out through open windows. By providing a strong vertical axis, the cupola also helps disguise the asymmetry of the west facade, facing the bowling green.
The weathervane atop the house decoratively incorporates a dove with an olive branch in its beak, symbolizing Washington's hopes for peace in the new nation. He commissioned the work from Philadelphia artisan Joseph Rakestraw while presiding at the Constitutional Convention during the spring and summer of 1787. The weathervane here is an exact replica of the original, which is preserved and on view in the Museum.