After the American Revolution, George Washington resolved that he would no longer “send to England (from whence I formerly had all my goods) for anything I can get upon tolerable terms elsewhere.” He instead turned to the United States’ greatest ally, France, where he found the furniture, ceramics, textiles, and decorative objects to be “very elegant” and “much admired.”  

This symposium will examine George and Martha Washington’s adoption of the French taste, as a catalyst to further explore the complex interchange of culture, decorative styles, and objects in the French-Atlantic World. 

Join leading curators and historians as they examine the diffusion of French style, from the Ancien Régime through the French Revolution to the French Empire, and from Paris to London, Philadelphia, Port-au-Prince, and New Orleans, to 20th-century Los Angeles.  

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The Mount Vernon Symposium is endowed by the generous support of The Robert H. Smith Family Foundation, Lucy S. Rhame, The Felicia Fund, The Sachem Foundation, and Mr. and Mrs. Frank Mauran IV.
Add to Calendar 06/02/2023 06/04/2023 America/New_York The 2023 Mount Vernon Symposium

After the American Revolution, George Washington resolved that he would no longer “send to England (from whence I formerly had all my goods) for anything I can get upon tolerable terms elsewhere.” He instead turned to the United States’ greatest ally, France, where he found the furniture, ceramics, textiles, and decorative objects to be “very elegant” and “much admired.”  

This symposium will examine George and Martha Washington’s adoption of the French taste, as a catalyst to further explore the complex interchange of culture, decorative styles, and objects in the French-Atlantic World. 

Join leading curators and historians as they examine the diffusion of French style, from the Ancien Régime through the French Revolution to the French Empire, and from Paris to London, Philadelphia, Port-au-Prince, and New Orleans, to 20th-century Los Angeles.  

In-Person Tickets

MembersGeneral PubliC

Virtual Tickets

Get Virtual Tickets

The Mount Vernon Symposium is endowed by the generous support of The Robert H. Smith Family Foundation, Lucy S. Rhame, The Felicia Fund, The Sachem Foundation, and Mr. and Mrs. Frank Mauran IV.
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Cost

In-Person
$400 for General Public
$375 for Members and Donors
Includes all Lectures, Meals, and Tours

Virtual: Watch in real-time or through July 4 (30 days after the event)
$40 General Public

"Very elegant & much admired": Decorative Arts in the French Atlantic World

All lectures take place in the David M. Rubenstein Leadership Hall within the Washington Library. The schedule is subject to change.

Friday, June 2

1:00-6:00 pm

Symposium Registration, Bookout Reception Hall

1:30 pm

 Welcome and Introductions

1:45 pm

The Garde-Meuble de la Couronne: From its Creation to Revolutionary Sales

Stéphane Castelluccio

The Garde-Meuble de la Couronne was the administration in charge of furnishing the apartments of the members of the royal family in the residences of the French sovereign. King Henry IV created it in 1604 as part of his policy to reorganize the kingdom after the Wars of Religion. This talk will present the management, exercised by only three different families during a century and a half, as well as the functioning of this administration which took an increasing importance throughout the 18th century. It will explain the changes in its organization during the Revolution, and end with the reasons, principles and organization of the revolutionary sales of the Crown's furniture, decided by the new Republic from 1793.

2:45 pm

“A little French ease adopted would be an improvement": Lessons in Sociability and Decorative Arts from 1780s Paris

Amy Hudson Henderson 

After the American Revolution, an increasing number of American diplomats, businessmen, students, artists, and tourists found themselves in Paris mixing amongst themselves in the upper echelons of French society. It was a heady time, ripe with opportunities for forging new relationships and identities. Here, in 1784, a young Nabby Adams observed that Americans would do well to adopt “a little French ease” as an antidote to the stiffness and reserve that seemed to mar their social circles back home. What did she mean? This paper answers that question by exploring extant correspondence and household furnishings. By focusing on the acquisitions and behaviors of the prominent Americans who spent time in Paris during the 1780s, we deepen our understanding of the role of French decorative arts in both sociability and diplomacy and discover why these objects appealed to George and Martha Washington. 

3:45 pm

Break

4:00 pm

Adam T. Erby

George and Martha Washington’s French Furnishings: From the American Revolution to the Retirement Years

5:00 pm

Henry Auguste: A Goldsmith in Revolutionary Paris

Iris Moon

This talk explores the unlikely career trajectory of the Parisian goldsmith Henry Auguste (1759-1816) during the French Revolution, drawing on new research published in Luxury after the Terror. Crafty, wily, and untrustworthy, but obviously talented with a hammer and chisel, Auguste started off as an apprentice to his well-known goldsmith father, who worked for Louis XVI. Beyond the French court, Auguste acquired a number of prestigious clients, including the British connoisseur William Beckford, for whom he fashioned an ewer made out of pure gold. Just as the volatile politics of the French Revolution sought to overturn the values of the Ancien Régime in favor of new ones, Auguste sought to refashion himself as more than a goldsmith during a moment of tremendous opportunity—and great risk. 

6:30 pm

Reception, Mansion East Lawn

Mansion Open House

7:15 pm

Dinner, Ford Orientation Center

Saturday, June 3

7:30 am

Continental Breakfast, Bookout Reception Hall

8:45 am

Welcome and Introductions

9:00 am

Revolutionary Things

Ashli C. White

During the late eighteenth century, a wide range of objects associated with the American, French, and Haitian revolutions crisscrossed the ocean.  Furniture and ceramics; clothing and accessories; maps, prints, and public amusements—all circulated among diverse actors who wrestled with the political implications of these items.  In this presentation we will examine the unique ways that transatlantic revolutionary things shaped how people understood contested concepts like equality, freedom, and solidarity.  And, we will explore how these objects became a means through which individuals—enslaved and free, women and men, poor and elite—promoted, and sometimes tried to thwart, the realization of these ideals on the ground. 

10:00 am

Break

10:15 am

À la française: Designing French North America, 1700-1820

Philippe Halbert

At its height, New France extended from eastern Canada, across the Great Lakes, and down the Mississippi River to Louisiana. Although its population remained small, French North America was no less dynamic in terms of artistic originality or creative output. Even after New France's fall in 1763, areas of French settlement held fast to creole syntheses of Gallic aesthetics and vernacular tradition. This presentation will introduce a cross-section of objects and buildings whose stories reveal the vibrant legacies of French cultural identity as it took root in North America before 1800.

11:15 am

From West to East: Huguenot Craft Communities in London’s Soho and Spitalfields

Tessa Murdoch

Drawing on research undertaken for her recent publication, Tessa will speak about the formation of Huguenot artisan communities in Soho and Spitalfields. Leading personalities, include engraver Simon Gribelin, resident in West London who married into the Spitalfields based Mettayer family. The complex history of the Courtauld family, established in West London, gravitates from silversmithing in Soho and the City to textile production in Spitalfields and beyond. Craft communities centred on conformist and non-conformist French speaking churches and were gradually assimilated into Anglican churches. Huguenot refugees developed mutual support systems, friendly societies, the French Hospital which still flourishes as almshouses and the Westminster French Protestant Charity School. These Huguenot charities document the contribution of Huguenot craftsmen and women to British culture.

12:15 pm

Lunch, Founders' Terrace

1:45 pm

An American in Paris: Walt Disney and France

Wolf Burchard

Walt Disney was about to turn 17 when he first set foot in France in December 1918. The buildings, the art and the atmosphere had a lasting impact on the animated world he would go on to create. Inspiring Walt Disney: The Animation of French Decorative Arts, an exhibition shown at the Metropolitan Museum of Art in New York, the Wallace Collection in London and the Huntington Art Gallery in Pasadena, brought together the seemingly disparate worlds of 20th-century hand-drawn animation and 18th-century decorative arts, which upon closer inspection reveal remarkable similarities. Wolf Burchard will relate how the exhibition explored Disney’s fascination with European art and the impact it had on the studio’s output, especially the three French fairytales retold in hand-drawn animation: Cinderella (1950), Sleeping Beauty (1959), and Beauty and the Beast (1991).

2:45 pm

Break

3:15 pm

A Passion for Porcelain: Sèvres in the Wallace Collection

Helen Jacobsen

Ever since the early days of its development in the mid-eighteenth century, the porcelain produced at the Sèvres Manufactory outside Paris has been a magnet for collectors, attracted by its vibrant colours, rich gilding and innovative designs. The Sèvres collection at the Wallace Collection was put together in the nineteenth century, but its collectors were no less beguiled by its flamboyant luxury and exquisite craftsmanship. This lecture will follow the evolution of some of the most celebrated pieces ever produced at the manufactory and will explore the passions that gave shape to what is now one of the finest collections of Sèvres porcelain in the world, a testament to its enduring fascination.

4:15 pm

James Monroe’s Use of French Furnishings in the White House and the Restoration of the Bellangé Suite

Melissa Naulin

Following its burning during the War of 1812, the President’s House required almost all new furnishings before it could reopen for President James Monroe’s use in 1817. Relying on his extensive knowledge of fashionable home goods gained through his two European diplomatic appointments, Monroe worked to secure a large number of these new furnishings from Paris. This talk will focus on these government-purchased French goods, many of which remain amongst the most-treasured objects in the White House collection. It will also detail the recent effort to restore the furniture suite made by Pierre Antoine Bellangé and purchased for Monroe’s “large oval room” (today’s Blue Room) to its original splendor. 

5:45 pm

Reception, Donald W. Reynolds Museum Lobby

View French decoratives arts in the exhibition, Mount Vernon: The Story of an American Icon

7:00 pm

Dinner, Mount Vernon Wharf

Sunday, June 4

9:00 am

Continental Breakfast, Bookout Reception Hall

9:30 am

"Fit for a King": Point Breeze, Joseph Bonaparte's New Jersey Estate

Wendy A. Cooper

No sooner had the British defeated Napoleon at the Battle of Waterloo (resulting in his exile to St. Helena), than his older brother Joseph thought it prudent to leave France. By the fall of 1815 he arrived in the United States, desiring to replicate his circumstances in France. He bought property along the Delaware River in Bordentown, New Jersey, built a grand house, and filled it with fine European paintings, sculpture, and furniture. Called Point Breeze, this haven of culture and beauty became a destination for the intellectual and curious.  Joseph became friends with numerous Philadelphians, including Joseph Hopkinson, president of the Pennsylvania Academy of Fine Arts, and over several decades he lent to their annual exhibitions. Following Joseph’s death, two auctions of his collections were held in 1845 and 1847. These important catalogues further inform us of the impressive and glorious interiors he created and shared with numerous visitors.

10:15 am

Forging a New Vernacular: The Transformation and Triumph of a French Ébéniste in Federal New York

Peter M. Kenny

Charles-Honoré Lannuier (1779-1819) arrived in New York in the spring of 1803 a thoroughly-trained Parisian ébéniste who, according to his inaugural newspaper advertisement, had “worked at his trade with the most celebrated Cabinet Makers of Europe.” Well-versed in the elegant forms of the late Louis XVI period, which still held sway during the earliest period of his training in Paris, Lannuier’s design vocabulary at the time of his arrival also included the harder edged yet brilliant neoclassical style of post-Revolutionary France known as Directoire (1795-99), and the Consulat (1799-1804), a heavier more monumental style featuring the more archaeologically correct forms of le goût antique. This was Lannuier’s Parisian stylistic legacy. How he transformed this legacy, ultimately becoming one of the two principal leaders of the New York school of cabinetmaking alongside his greatest rival, Duncan Phyfe, is an inspiring and uniquely American story.

11:00 am

Break

11:15 am

Elizabeth Patterson Bonaparte and the Material Creation of an Imperial Legacy

Alexandra Deutsch

Elizabeth Patterson Bonaparte (1785 -1879) is often remembered for her short, but remarkable marriage in 1803 to Napoleon's youngest brother, Jerome Napoleon Bonaparte. Although their mésalliance resulted in divorce, their union set her and future generations of American Bonapartes on a path that allied them with France and an imperial legacy. Drawing from thousands of documents and a collection of more than 600 objects associated with the Bonapartes, this richly illustrated lecture charts the history of Elizabeth's long life during which she meticulously created and documented a material world tethered to France. From her fashion to her silver, jewels and furniture, Elizabeth's self-presentation proclaimed her French connection. Her obsessive documentation of her possessions reveals a fascinating and complex narrative that spans multiple generations and reaches far beyond Baltimore.

12:00 pm

Symposium Adjourns

 

Speaker Biographies

Wolf Burchard

Wolf Burchard is Associate Curator in the Department of European Sculpture and Decorative Arts at the Metropolitan Museum of Art and the author of Inspiring Walt Disney: The Animation of French Decorative Arts. Prior to joining The Met, he held curatorial positions at the National Trust and the Royal Collection. He read history of art and architecture at the Courtauld Institute of Art, from which he holds an MA and PhD.

Stéphane Castelluccio

Professor Stéphane Castelluccio is director of research at the CNRS André Chastel Center UMR 8150 in Paris, France. He specializes in the history of royal residences, interior decorations, furniture, art collections and the luxury trade in France in the 17th and 18th centuries. He has published more than a hundred articles and fourteen books, including, Garde-Meuble de la Couronne from the 16th century to the Revolution.

Wendy A. Cooper

Wendy A. Cooper is Curator Emerita of furniture at Winterthur Museum following two decades as senior curator of furniture. She is a cum laude graduate of Brown University, and holds an M.A. from the Winterthur Program in American Material Culture, the University of Delaware. In 1993 when curator of Decorative Arts at the Baltimore Museum of Art, she organized the traveling exhibition Classical Taste in America, 1800-1840, with the accompanying book. She is now a consultant, researcher, writer, and lecturer, and serves on several museum committees and boards.

Alexandra Deutsch

Alexandra Deutsch is the John L. and Marjorie P. McGraw Director of Collections at the Winterthur Museum. She leads Winterthur’s Collections Division that includes curatorial, conservation, registration, exhibitions, estate history, interpretation and programming. She has also worked as Vice-President of Collections and Interpretation and Chief Curator at the Maryland Center for History and Culture. Her publications include Spectrum of Fashion (2019), Structure and Perspective: David Brewster Explores Maryland’s Social Landscape (2017) and Woman of Two Worlds: Elizabeth Patterson Bonaparte (2016).

Adam T. Erby

Adam T. Erby is the Martha Washington Chief Curator and Director of the Fine and Decorative Arts Collection at George Washington’s Mount Vernon, where he oversees the institution’s curatorial collections, historic interiors, special exhibitions, and conservation program. He recently curated the exhibition Mount Vernon: The Story of an American Icon and oversaw the restorations of several Mount Vernon rooms. He is a graduate of the University of Virginia and the Winterthur Program in Early American Culture. 

Philippe Halbert

Philippe Halbert is Interim Curator of American Decorative Arts at the Wadsworth Atheneum Museum of Art in Hartford, Connecticut. A graduate of the College of William and Mary and the Winterthur Program in American Material Culture, he received his Ph.D. in history of art from Yale University in 2022. He has held curatorial positions at institutions including Colonial Williamsburg, the Louvre, the J. Paul Getty Museum, and the Yale University Art Gallery.

Amy Hudson Henderson

Amy Hudson Henderson is an independent scholar and museum consultant based in Washington, D.C. By focusing on the early United States, she seeks to highlight the political resonance of domestic material culture and the essential roles women in the eighteenth century played in designing and decorating domestic spaces. She holds a Ph.D. in art history from the University of Delaware and a B.A. from Grinnell College. She is the author of “French & Fashionable: The Search for George and Martha Washingtons’ Presidential Furniture,” American Furniture (2019), and is currently working on her book manuscript, Furnishing the Republic: Material Culture, Gender, and Politics in the Nation’s Capital, 1789-1800 (under contract, Oxford University Press).

Helen Jacobsen

Dr. Helen Jacobsen is Executive Director of The Attingham Trust, a charitable trust that organizes study programmes for heritage sector professionals.  Formerly Senior Curator at the Wallace Collection, she has published on French eighteenth-century decorative art and collecting history and has curated a number of exhibitions, including most recently Inspiring Walt Disney. The Animation of French Decorative Art, an exhibition held at the Wallace Collection in 2022 in collaboration with the Metropolitan Museum of Art.  

Peter M. Kenny

Following a thirty-year career at the Metropolitan Museum of Art, Peter M. Kenny retired in 2015 as the Ruth Bigelow Wriston Curator of American Decorative Arts and Administrator of the American Wing, after which he served, until 2020, as Co-President of Classical American Homes Preservation Trust. An award-winning author and curator, he is a nationally recognized expert in early American furniture, especially the New York school of cabinetmaking led by Charles-Honoré Lannuier and Duncan Phyfe.

Iris Moon

Iris Moon is an assistant curator in the European Sculpture and Decorative Arts Department at the Metropolitan Museum of Art. At the Met, she participated in the reinstallation of the British Galleries. She is the author of Luxury after the Terror and co-editor with Richard Taws of Time, Media, and Visuality in Post-Revolutionary France; a new book on Wedgwood will be out this year. Alongside curatorial work, she teaches at Cooper Union.  

Tessa Murdoch

Tessa Murdoch is an Associate Research Professor in Cultural History at the University of Buckingham, UK. She has worked at the Museum of London and the Victoria & Albert Museum. Her publications include Europe Divided: Huguenot Refugee Art and Culture, and Great Irish Households: Inventories from the long eighteenth century. She advises England’s National Trust and the National Heritage Memorial Fund, and serves as Chair of the Trustees of the Huguenot Museum, Rochester, Kent. She is a member of the Contemporary Craft Committee at the Worshipful Company of Goldsmiths.

Melissa Naulin

Melissa Naulin is the Associate Curator of Decorative Arts for the White House, where she has served since 2003. Prior to coming to the White House, she held curatorial positions at George Washington’s Mount Vernon, Winterthur Museum, and the Strong Museum in Rochester, N.Y. She holds a Masters of Art degree from the Winterthur Program in Early American Culture/University of Delaware and a Bachelor of Arts degree from Smith College. She writes and lectures frequently on White House topics.

Ashli C. White

Ashli White is associate professor of history at the University of Miami.  She is the author of Revolutionary Things: Material Culture and Politics in the Late Eighteenth-Century Atlantic World (Yale UP, 2023) and Encountering Revolution: Haiti and the Making of the Early Republic (Johns Hopkins UP, 2010).  She was the associate curator and co-author of the catalog for Antillean Visions, a 2018 exhibition at the Lowe Art Museum that charted over 500 years of Caribbean maps.

Accomodation

The Fred W. Smith National Library has a partnership with the Hampton Inn & Suites Mt. Vernon/Belvoir-Alexandria South Area, the closest hotel to the Mount Vernon estate. Book a stay for nights between June 2-4 to take advantage of these exclusive, special rates. Call the hotel directly at (703) 619-7026, and mention the Group Code MVS.

Contact Information

Stephen A. McLeod
Director, Library Programs

smcleod@mountvernon.org
703.799.8686

Parking

Guests should park in Mount Vernon visitor parking lots, and enter the Library via the pedestrian gate near the four-way traffic intersection (across from the Mount Vernon Inn Restaurant).

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