Lace in the 18th Century
Sarah Woodyard, Journeywoman Milliner at the Margaret Hunter Shop, tells us about lace in the 18th century…
Watch the VideoIn her youth, Martha Washington wore audacious yellow silks, purple slippers, and accessorized with glittering gems. Style was no stranger, and Martha proved a leader amongst the fashionable elite of Virginia. And she had the lace to prove it.
Wearing very fine, imported European lace in eighteenth-century colonial America communicated bold statements that were easily and immediately decipherable: statements about one’s position in society, wealth, and purchasing power.
Lace was the ultimate glamour accessory– akin to sporting a Hermès Birkin bag today, or for a more timeless example, unabashedly draping one’s self with ropes of diamonds.
So what is it about lace that is just so enduring? Some say it’s analogous to a woman’s essence – her desirability and femininity – her inherent worth, beautifully wrought, delicate and sensuous – yet resilient. The New York Times declared lace a “trend watch” for 2016, a further pronouncement that lace is here to stay.
Let’s take a look at how lace in the eighteenth century was the ultimate power accessory and how Martha Washington communicated personal values through her wearing of this exquisite art form.
Sarah Woodyard, Journeywoman Milliner at the Margaret Hunter Shop, tells us about lace in the 18th century…
Watch the VideoType | Technique | Description |
Mechlin | Bobbin | Pronounced “meck-lin”, this lace was known as the “Queen of Laces” – the lace of royalty, made famous by the French court. It is also known by its French name, point de Malines. Martha Washington’s wedding lace is Mechlin lace. |
Valenciennes | Bobbin | Although named for the French town of Valenciennes, this delicate lace traces its roots to Flanders. It is known for its durability due to the number of twists in the braided mesh. |
Chantilly | Bobbin | Chantilly, a suburb of Paris, dates lace production to the days of Louis XIV. One of the celebrated laces of royalty, this perennially fashionable lace endured even past the 18th century to the days of Napoleon III. |
Alençon | Needlepoint | Louis XIV established a strong lacemaking industry in France in the late seventeenth century and granted Alençon, sixty miles northwest of Paris, the honor of producing lace. An elaborate lace with exquisite detailing, it originated as a replication of Venetian techniques. |
I cannt. help writing to you in behalf of my daughter, Miss Custis, who together with myself, Imported some very hard bargains from you last year. Messrs. Cary & Co. was wrote to for a handse Suit of Brussels Lace to cost £20, in cons of wch., she recd. from you a pr of tripple Ruffles, a Tucker & Ruff set on plain joing. Nett (such as can be bought in ye Milliners Shops here at 3/6 pr yd) When, if you had ever sent a Tippet & Cap w. ye othr. things I shd still have thot them Dr. – These things have been shewn to sevl. Ladies who are accustomed to such kind of Importns, & all agree, that they are most extravagantly high charged.
I now sd for a suit of ye price of £40; w. Lappels & ca but if you cant afford to sell a much better bargn. in these, that yo. did in ye last I shd hope yt Mr. Cary will try elsewhere, as I thy her last add. To my own is worth a little pains – and ye. othr. things sent last year for myself &ca were 5 gauze Caps. W Blond Lace bordrs. at a Ga. each, when ye same kd. might have been bot in ye Country at a much less price. – I have now sent for 2 Caps for M. Custis & 2 for myself of Mint. Lace & wd have ym gentl but not espens. her to suit a Person of 16 yrs old mine one of 40 & I cant. help addig. that I thnk it neccesy that ye last yrs Suit (wch ought to be retd. If she cd. do witht in the ye meanwhile) shd be compld w. a Tippet & Cap, as it is Scae more yn 1/3 a (?).
I am Madm yr Hble Servt
Martha Washington
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