Unlike European monarchs, George Washington did not commission an official state portrait to proclaim and legitimize his accession to office.
Artists, therefore, faced an unprecedented challenge: How to conceptualize and represent an entirely novel public figure—an ordinary citizen who embodied a fragile national identity, but was only temporarily invested with power by the will of the people?
See the full article in the Winter 2020 issue of the Mount Vernon Magazine, a benefit of being a Mount Vernon Member.
A sampling of presidential portraits in the Mount Vernon collection showcases the variety of images that resulted.
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American Cincinnatus
Joseph Wright’s plaster medallion portrait bust of George Washington crowned with laurel, the American Cincinnatus, 1783–1785.
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Presidential Look
Edward Savage’s initial portrait of Washington in uniform, engraved in 1792.
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Portrait in Silk
One of numerous examples of the Sharples’ pastel portrait of George Washington, c. 1799.
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